tag:unknowablesoundrecordings.com,2005:/blogs/introduction-to-unknowable-sound-recordings?p=2USR Journal2020-11-21T13:41:16-05:00Unknowable Sound Recordingsfalsetag:unknowablesoundrecordings.com,2005:Post/64829082020-11-21T13:41:16-05:002022-04-28T12:52:39-04:00Interview with Uschi Tala<h2 style="text-align: center;">
<span class="font_large">Unknowable Sound Recordings Presents:</span><br><span class="font_large">Interview with</span><br><a contents="" data-link-label="" data-link-type="url" href="http://www.uschitala.com" target="_blank"><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/d2e60f53bd30f7c6c3cce995bf2112f1828584ad/original/uschitalatransparent.png/!!/b:W10=.png" class="size_l justify_center border_" /></a>
</h2>
<p><span class="font_large">Queer, genderfluid, B.C. multi-instrumentalist and looping artist Uschi Tala bridges ambient soundscapes with witchy hip hop, folk noire, and occult themes. Their debut 2020 full-length album, Between the Veil, touches on all that goes unseen: the in-between realm, and the veils that separate reality from dreams, weaving ominous and tragically beautiful melodies that haunt and hold you close. Having performed extensively in the British Columbia area, including festival appearances and shared bills with acts such as Kimmortal, Moontricks, and Hannah Epperson, their cult following continues to grow in B.C. and beyond.</span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/400198bf35eb68a393c7c56d287fc0ca6f45d813/original/69245947-2514287768632628-3985125073911545856-o.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p><em><span class="font_large">November 7th 2020: </span></em></p>
<p><span class="font_large"><strong>USR: </strong>How did Uschi Tala first begin? </span></p>
<p><span class="font_large"><strong>Uschi Tala: </strong>I was at Artswells it was 1am and I stumbled into the sunset theatre following this eerie ambient trickling of sound that seemed to be luring me in to its clutches. There was a live looper on stage who’s name escapes me, but they were playing strange synths and pedals and strings creating this soundscape of pulsing dramatic melodies that felt like a cloud blanket keeping me warm from a storm. I remember walking in to a dream everything felt very surreal as I stood there in the middle of the walkway at the foot of the stage with these beautiful soothing sounds, I felt like I had remembered something I had once forgotten. Then realized this was the music from my dream, and it hit me like a ton of bricks that this was where my music yearned to grow to. I stood there jaw dropped eyes teary and sunk into this knowing in grateful awe. I had been doing a lot of piratey infused folk music while beatboxing free styling poetry on the side and had grown quiet uninspired and stale in that pursuit and at that moment I felt reborn. I knew that I needed to pick up a loop again which I hadn’t done for years , and give myself the time to allow the music to be sculpted and birthed through me in its new form. And so Uschi Tala was born.</span></p>
<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/06513365d388555ff3ee0b9598594b87a5d2cace/original/image-asset.jpeg/!!/b:W10=.jpg" class="size_l justify_center border_" /></span></p>
<p><span class="font_large"><strong>USR: </strong>What is the inspiration behind the name Between the Veil? </span></p>
<p><span class="font_large"><strong>Uschi Tala: </strong>I’m sure you all have heard of the quote behind the veil, suggesting of the things that are hidden behind, holding there allure of secrets, which is an intriguing notion to me. Similarly I have always held a curious eye to what lives between things, the unnoticed or unseen that hides itself between the layers of the more obvious. I feel there is much to be learned from that space in between the night and day, the dark and light or the dreaming and waking, like the turning of a page rather then either side of the story. This album is very largely born from the explorations into and through the between spaces, and the layering veils within and without my existence. It is a perfect match. </span></p>
<p><span class="font_large"><strong>USR: </strong>What things in your everyday life inspire your music? Was there anything that inspired this album in particular? </span></p>
<p><span class="font_large"><strong>Uschi Tala: </strong>It’s hard to pinpoint what inspires my music as I feel that to be a limitless shifting reality. But if I had to break it down, I would say the most things I find inspiration from is the light that one can find through darkness, the ethereal vast world that waits within realms of the between of things, the issues and struggles of the oppressed or marginalized people of this world and sometimes the rushing firefly feelings that coarse through my veins when I am musing love with another creature.</span></p>
<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/2224e4fda260617cfa96ca0c660a17ed82b5376a/original/between-the-veil.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></span></p>
<p><span class="font_large"><strong>USR:</strong> Do you feel that there is a spiritual dimension to music, if so, what is that to you? </span></p>
<p><span class="font_large"><strong>Uschi Tala:</strong> Certainly. Music being a universal language and one spoken best when connected to spirit or the elements. I feel the best music is made when we are able to touch the higher parts of our existence , and connect to the deeper roots. I really think if one is keen to explore which I am that the spiritual realms are vast and willing to open themselves to you with the right amount of time and patience. For me the dimensions are ever unfolding and shifting , and the more I can connect to my true self the more I can connect to spirit and to the spirituality that we all long for in one way it another. </span></p>
<p><span class="font_large"><strong>USR: </strong>Do you feel like music has the capacity to heal? If so, how do you feel it does this? </span></p>
<p><span class="font_large"><strong>Uschi Tala:</strong> Yes yes yes 110%. I feel the beginnings of music was for ritual and healing, and feel it’s very much an integral part of it to this day. Whether you are healing your own pain and trauma by creating music and song or relating to the lyrics or feeling of another’s I think everyone has at one time or another been touched or moved by music in a way that lends healing. I have been surprised many a times at my shows from certain audience members that came to me crying after my shows and I was myself touched by that and maybe in some way a smaller part of me felt healed.</span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/5f68936839e7123f008797592b96170b7b56f9f9/original/frame5.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p><span class="font_large"><strong>USR: </strong>Have you ever had an otherworldly experience while performing or writing music? </span></p>
<p><span class="font_large"><strong>Uschi Tala:</strong> Yes. I have guided myself into other dimensions or been guided by an otherworldly force into alternate planes. When I can connect to myself and the other energies surrounding, then at the same time let go I often find myself in strange magical places. It can at times be very exhilarating. I also have left shows feeling high afterward! </span></p>
<p><span class="font_large"><strong>USR:</strong> How do you describe the Underworld? </span></p>
<p><span class="font_large"><strong>Uschi Tala:</strong> A most mysterious place. One that might have been misrepresented or misplaced. It holds terrifying allure to me and is a void of never ending exploration. I feel it’s where all the unloved, misunderstood creatures have been banished to, where all the un believed in things spend their time. But that answer as everything is also ever shifting and changes with each new moon.</span></p>
<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/97d9622fc5cda89a17c1a1578b7b452a6d97fcec/original/unnamed.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></span></p>
<p><span class="font_large"><strong>USR:</strong> How do you work with the elements in your everyday life? </span></p>
<p><span class="font_large"><strong>Uschi Tala: </strong>Since I was a child I have lived in close relation with the elements. Being raised on a farm with no electricity or running water I had to work for the gifts most do not have the opportunity to be grateful of. Hauling water in the winter and waking up early to start a fire daily brings a deep respect and honour for the things most overlook. I have spent uncountable hours watching the fire, speaking poetry to it, telling it how powerful and precious it is. Same with the water reminding myself daily how important and precious it is and sometimes singing or humming into it before I consume it. I love to walk along the river and speak to it as if if were an old friend bringing it small gifts. I do the same with the earth and often just play music to the great mother for her ears only. The air is everywhere inside us and the reason we can Speak and sing and it is important to me to remember this when i begin my Daily rehearsals. Storms have always been a fascinating thing for me and I would find such calm and safety when snug inside listening to the wind whip around the house as the rain pounds down.</span></p>
<hr><p><span class="font_large">And that concludes our interview with Uschi Tala. Keep an eye out for the next email from USR, as we will be dropping the full album on our website and all digital stores and streaming services tomorrow, November 13th 2020. </span></p>
<p><span class="font_large">What did you think of this interview? Feel free to write us and let us know! Are there any questions you'd like us to ask in a future interview? </span></p>
<p><span class="font_large">Please check Uschi's official website and follow their social media pages via the links below: </span></p>
<p><span class="font_large"><a contents="www.uschitala.com " data-link-label="" data-link-type="url" href="http://www.uschitala.com">www.uschitala.com </a><br><a contents="www.facebook.com/uschitala" data-link-label="" data-link-type="url" href="http://www.facebook.com/uschitala">www.facebook.com/uschitala</a> <br><a contents="www.instagram.com/uschi_tala" data-link-label="" data-link-type="url" href="http://www.instagram.com/uschi_tala">www.instagram.com/uschi_tala</a></span></p>Unknowable Sound Recordingstag:unknowablesoundrecordings.com,2005:Post/63777932020-07-11T01:00:00-04:002024-02-07T05:21:37-05:00Introduction to Brainwave Entrainment and Binaural Beats<p><em>Written by Avery Bremner (Aversive / Unknowable Sound)</em></p>
<p>One topic that has really caught my interest is something called brainwave entrainment, so I thought I'd share a bit about it. </p>
<p>Entrainment is basically the tendency for something to synchronize with the oscillation of a dominant external stimuli. If there are two things oscillating, they will eventually synchronize to the same frequency of oscillation. This can happen in many ways. A simple example of entrainment in a social sense would be a crowd of dancers synchronizing to the beat of the music they are listening too... Or even instances of "group think" where the behavior patterns of a species synchronizes to a dominant pattern... </p>
<p>Your brain will entrain itself to match another oscillating frequency, especially from sound and light stimulus. In the case of sound, a beat interference pattern oscillating at a specific hertz will entrain your brain to produce brainwaves at that same hertz. You can push your brain into a specific state of consciousness, depending on the hertz frequency you entrain your brain to. Different states of consciousness have their own energetic hertz signature that we can tune too when our brain waves are entrained to it. Through brainwave entrainment we can literally turn the dial of our brain to tune into a specific state of consciousness, through entraining to its signature vibration, or hertz frequency.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/aa8e7eeec31adc9c91d97c4859de88d0f3c04cb5/original/brainwavestates2.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p>Since ancient times, sound has been used in all cultures to induce a state of trance or fixation on a feeling, emotion, or idea. The steady pounding beat of the shamans drum was used to induce a one-pointed state of trance through rhythmic entrainement, nudging the shaman into a theta or alpha brain state, leading him or her into the deep imaginal realms of the subconscious. The use of mantra, the chanting of specific syllables, words or names considered sacred in repetition also puts the brain into a state of entrainment, in resonance with the vibrational frequency and intention of the sounds being intonated. Ancient musical instruments such as the Tibetan singing bowl have been researched and shown to bring the brain into a theta state through entrainment and create a state of deep relaxation and in turn promote healing/rejuvenation in the bodies cellular structure. The Shona people of Zimbabwe play a musical instrument called the mbira which they claim can create a state of trance to perform healing and enter altered states of shamanic consciousness to connect with the ancestors. There are many more examples of music being used as a tool to alter consciousness in ancient cultures all over the world. </p>
<p>Now with modern technology the discovery and application of binaural beats has been used to change our consciousness in conformity with hertz vibration and resonance. First brought into the realms of science by researcher Heinrich Willhelm Dove, later expanded upon by Gerald Oster, leading to the ground braking research conducted by Robert Monroe and the Monroe Institute. They discovered that our consciousness could be nudged into specific brainwave states using the same principle of rhythmic and melodic entrainment used by the ancients to go into a state of trance. They could open one up to experience other levels of consciousness, what one might call the subconscious or the imaginal realms. This sonic technology has since been used as an aid in hypnotherapy as well as a tool for any individual to achieve levels of consciousness which promote enhanced creativity, concentration, learning, and deep sleep. </p>
<p>So how do binaural beats work exactly? A "beat" in this case, is not a beat in the usual sense of the word, like a drum beat, but rather a term from the science of acoustics. Here is the definition from Wikipedia: </p>
<p>"In acoustics, a beat is an interference pattern between two sounds of slightly different frequencies, perceived as a periodic variation in volume whose rate is the difference of the two frequencies." </p>
<p>A binaural beat is an inner phenomenon created in the brain itself when two slightly different sine wave frequencies are perceived through each ear, and combine in the brain to create a third tone vibrating at a hertz which is the difference between the first two tones... The frequency of this third tone perceived by the brain is then what entrains the brain to a specific hertz in resonance with it.. For example, if there is a sine wave frequency of 235 hertz in the right ear, and another sine wave frequency at 239 hertz in the left ear, the binaural beat frequency will be at 4 hertz, which will entrain the brain to the deep theta brainwave state at 4 hertz. Entrainment will occur after around 7 to 10 minutes of straight attentive listening with headphones.</p>
<p>If you haven't yet had a chance to try our free binaural beat, you can get access to it here but clicking the image below and joining our mailing list. Hope you enjoy it. We'd love to hear your feedback so feel free to use the poll on the download page to let us know your experience!</p>
<p><a contents="" data-link-label="Brainwave Entrainment Tools" data-link-type="page" href="/brainwave-entrainment-tools" target="_blank"><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/b6d524622cbbce627c64a17f957be897c4d9ff1d/original/add-a-heading.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /></a></p>Unknowable Sound Recordingstag:unknowablesoundrecordings.com,2005:Post/63031912020-05-03T03:13:14-04:002023-12-10T13:32:23-05:00Interview with Jay Robinson aka (UNI.)<p style="text-align: center;"><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/9b931ea686158c2e2aaa81112950835e89bc80bd/original/unknowable-sound-recordings-black-2000-px.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /></p>
<p><span class="font_large">In this issue we interview a truly talented and conscious psychedelic musician, visual artist, and mystical explorer Jay Robinson aka (UNI.). But before we dive in, here is a quick introduction for those who may be new to Jay and his music...</span></p>
<p><span class="font_large">Jay Robinson (UNI.) has played percussion since the early 2000's, beginning with djembe and drum circle, moving on to congas and Latin jazz, and finally, coming to the study of classical Hindustani tabla. Tabla rhythms now form the rhythmic base of pretty much all of Jay's music, even if there isn't always tabla being played. In 2017 Jay launched a solo project using live looping and samples, steel tongue drums, flute and other percussion instruments to create a dynamic multi-instrumental sound improv experience that fuses the worlds of classical Indian music, modern sound healing and live electronics. </span></p>
<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/7f939a6da30b1e9c7fad7fafb15ec703dc25869e/original/47679710-10156882565616252-1605547809916846080-o-1.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></span></p>
<p><span class="font_large">Along with his photomanipulation pieces, Jay's intention with (UNI.) is to create an entrancing sacred space with presence, magic, sound and visual art. Touching the heart and spirit on a profoundly deep, biological, and spiritual level, Jay's music arises spontaneously based on his mood, and what melodic themes and rhythms he feels like exploring at the time. All of this interacts with the souls of the instruments, as they each have voices of their own, and speak to one another in special ways. They draw power and voice from their origins (material, crafter, land, and cultural heritage) and Jay's facilitation from the training he's had, making every recording ceremonial. Jay lives a semi-nomadic life, anywhere from the Rockies, into the Kootenays, to Vancouver Island. He draws inspiration from all traditional and psychedelic music, mysticism, plant medicine, work, and all the incredible people he encounters. </span></p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/9e95874ef90cf530245e36072f791355a66232b9/original/img-2031e.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<hr><p style="text-align: center;"><strong><span class="font_large">U.S.R. Interview with Jay Robinson aka (UNI.) </span></strong></p>
<p><em><span class="font_large">May 2nd 2020 </span></em></p>
<p><em><span class="font_large">Subjects: sound healing, Hindustani tabla, Vedic knowledge, plant medicine, psychedelic experience, mysticism, mystical experience, current favorite artists, power of collaboration </span></em></p>
<p><span class="font_large"><strong>Avery:</strong> How did you first discover the concept of sound healing? </span></p>
<p><span class="font_large"><strong>Jay:</strong> I think my first experiences with some kind of intentional sound healing would have occured at my first festival, which was Evolve in Nova Scotia, in around 2003. I was glued to the drum circle, having just recently started African and Cuban drumming lessons. I would drum for hours through the weekend, as others came and went. The transfixation was so addictive. It facilitated spontaneous kinships. It showed me a part of myself that I can still reflect so much into. "Sound healing" strictly speaking, as a healing modality, I would not encounter until some years later, perhaps as I began to enter the yoga community. </span></p>
<p><span class="font_large"><strong>Avery:</strong> What does the term sound healing mean to you? </span></p>
<p><span class="font_large"><strong>Jay:</strong> "Sound healing" to me is a technical term that refers to a particular modality of alternative healing. There are different specific sound healing practices, but as far as I know it's quite a science so I usually don't use the term for my own music, even if it is music that may have healing properties. I have a friend who has studied sound healing using forks and other instruments; he's shared some knowledge with me and it's enough to make me respect the term and try to avoid it! </span></p>
<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/b68d7a4a89f5c877005bb76661ffc0ed6bd636e6/original/47680836-10156882571081252-7913875437887946752-o-1.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></span></p>
<p><span class="font_large"><strong>Avery:</strong> Have you ever had a first hand experience with sound healing outside of your own music making? </span></p>
<p><span class="font_large"><strong>Jay:</strong> I have had both healing experiences with music and some experience with sound healing proper. Didgeridoos, bowls, mantras, and icaros have all played deeply with the awareness of my cells in a subtly healing way. I've never perceived the curing of some specific ailment from it but I've never really intended for that or sought it out. </span></p>
<p><span class="font_large"><strong>Avery:</strong> You say that musical instruments draw power from their origins. How do they draw this power and what is it? How does this power empower the musician? </span></p>
<p><span class="font_large"><strong>Jay:</strong> Learning tabla really taught me about this. Tabla is a 2000 year old instrument. It's predecessor the mridangam could be twice that. The rhythmic tradition can be traced back through oral lineages something like 5000 years, apparently to Krishna. The tabla language is part and parcel to the entire body of Vedic knowledge, and the oral syllables that are used in tabla playing are essentially phonemes from the Sanskrit language. From my very limited knowledge on all of this, I understand that the syllables used in Sanskrit have a set of themes associated with them, including elements, Gods, parts of the body, or other aspects of the universe. Sanskrit words, being constructed of these syllables, are said to contain Vedic knowledge in their very vibration. All Hindu bodies of knowledge are conceived this way - yoga, ayurveda, tantra, music, even politics, are all woven together, refer to each other, and are built into the Sanskrit language. With all this, the power in this instrument is clear. The amount of collective intentionality, culture, history, mastery, and so on that have brought this instrument to me in the modern day, is massively humbling. This history is passed to me through the teacher, and it empowers me to bear the reverence for all of that. </span></p>
<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/580c4b8e85dae8b7059db33b35a6b9be92715dc8/original/50922931-400919913978891-907459802903347200-n-1.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></span></p>
<p><span class="font_large"><strong>Avery:</strong> How has working with plant medicine changed or impacted your view of sound and music? </span></p>
<p><span class="font_large"><strong>Jay:</strong> Even though music is only sound, some people can see colours or have feelings that are perceived directly with music. But even for those who can't, music is totally synesthesic. Just look at a dance floor. Take the music away and all that movement is lost. Synesthesia goes hand in hand with the psychedelic experience, because psychedelics enhance the senses' perceptions. The next level of this for me is the profound relationship between music and the Ayawaska medicine. During ceremony, traditional medicine songs of the jungle are sung, and each one augments the quality of the medicine in your body in a particular way. There's nothing quite like it, and it really hammered in the concept that music is alive, in a very real, non woo-woo-spiritual way. Furthermore so is everything. Everything has life and a spirit, and deserves respect and reverence. </span></p>
<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/9810fdaff07c5a0bda05cb63f411a2b76e975e28/original/44974744-10100162134918856-8766532699339882496-o-1.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></span></p>
<p><span class="font_large"><strong>Avery:</strong> How has your interest in mysticism changed or impacted your view of sound / music? </span></p>
<p><span class="font_large"><strong>Jay:</strong> Music and sound have certainly been a part of mystical experiences for me, but I don't think that mysticism has changed how music is for me. I will say that part of what brought me to study mysticism was probably an interest in classical Indian music and sufi music from Turkey, Iran, etc. </span></p>
<p><span class="font_large"><strong>Avery:</strong> Have you had mystical experiences while playing or composing music? If so, what did they teach you? </span></p>
<p><span class="font_large"><strong>Jay: </strong>A mystical experience is where I perceive the entire experience as a divine revelation, but one which totally encapsulates and includes myself as Jay in that moment. It can be powerful or mild; scary, hilarious, overwhelming; ecstatic or painful; or really anything. Usually it teaches me that there is always everything left to discover. That I am a part of a whole, and so is everyone and everything else. That every experience and every being has the face of God, and that I can and should continue to open my heart to everything, because everything is that. </span></p>
<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/b40994c62326d5a5faa33f950264e06b56728201/original/48407839-371496326918571-1084401705195405312-n.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></span></p>
<p><span class="font_large"><strong>Avery:</strong> Do you feel that music itself has the power to heal, or do you feel its more in the mind of the musician or listener? Or both? </span></p>
<p><span class="font_large"><strong>Jay:</strong> I think that music has the power to facilitate healing, but like any medicine, it needs to be the right time. I try to be sensitive to that, because sometimes it's the wrong medicine! For example some people need to be agitated out of stagnation, and others need to be soothed. </span></p>
<p><span class="font_large"><strong>Avery:</strong> What 5 other artists are your current favorites? </span></p>
<p><span class="font_large"><strong>Jay:</strong> Right now for newer stuff I'm digging Ivy Lab, Sinepearl (always), Bluetech, Tool, and Tipper. </span></p>
<p><span class="font_large"><strong>Avery:</strong> If there was one moment in your music career so far that impacted you the most, what would that be? </span></p>
<p><span class="font_large"><strong>Jay:</strong> This is a really hard one. Before this project I was in a rock band, playing percussions, with 6 other friends. We played a few shows and I wish there was more because it was a flippin blast. I think my times playing rock, funk, and latin jazz have been truly the most impactful for me, because of the collaborative quality and the ecstasy that comes from that, like a qawwal party. With my personal project, the most impactful moments have always been when I feel that collaborative power with the audience, that there is a palpable receptivity and engagement. Times like that can be so uplifting for everyone. I strive for that!! </span></p>
<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/f415cc0ca4ba3696c55ebd3e46e22abf78bd5189/original/52338462-297158494310150-2759602893832060928-n.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></span></p>
<p style="text-align: center;"><span class="font_large">Digging Jay's artwork that you've seen in this issue? <br>Jay made us some beautiful psychedelic phone backgrounds to download for free! </span></p>
<p style="text-align: center;"><a contents="Grab your backgrounds here!" data-link-label="" data-link-type="url" href="https://u648841.ct.sendgrid.net/ls/click?upn=dKjN91t1hJbCqyothz-2FkNXBhEl1s4YMHFD0ZD6Zvwe0HYcCozhSk75g6J-2FbbESxW1GKqJCULV5UD-2Btvb9BGeg3kA-2FTJMxmVVwBXGM14u9rQA7Rjk4ZfUzUmPSRyF9vjkiOKC_rlDL0ySgJa6U21RazsK-2BxPq5edveZT9fe8QvlbMKF1XoF1SBBGgkZ4ghVw7OZAJTTNNRartN17PseGnfO8Ogm5odR0xf1iAUyjVVBtugdWmUtyqFVR1h-2F9W0rZ37fQrx59hKWf1nKkrLlK-2B-2FYZ9IamDHw4kbnjdzFdzwgFHzRSxb6wU624xH5QSKd2IWSAooMQCuFpVmqShVUzI3hGo0cdq0OBqB7SXwXEvqAeW7EIs-3D" style="" target="_blank"><span class="font_large">Grab your backgrounds here!</span></a></p>
<hr><p><span class="font_large">You can stream or purchase <a contents="(UNI.)" data-link-label="(UNI.) -" data-link-type="page" href="/uni" target="_blank">(UNI.)</a>'s 2019 USR release entitled Tactile EP by <a contents="clicking here" data-link-label="Uni - Tactile EP" data-link-type="page" href="/uni-tactile-ep" target="_blank">clicking here</a>. Its available in both CD and digital format. </span></p>
<p><span class="font_large"><a contents="" data-link-label="Uni - Tactile EP" data-link-type="page" href="/uni-tactile-ep" target="_blank"><img src="//d10j3mvrs1suex.cloudfront.net/u/353102/f3f7a91f40d687dfec52148c1d8dd09aba9f8679/original/uni-4.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /></a><br>If you'd like to learn more about Jay and his music, please visit his website <a contents="www.uniballoon.net" data-link-label="" data-link-type="url" href="http://www.uniballoon.net" target="_blank">www.uniballoon.net</a> and like/follow his <a contents="facebook page" data-link-label="" data-link-type="url" href="https://www.facebook.com/theuniballoon" target="_blank">facebook page</a>. </span></p>
<p><span class="font_large">We would love to hear your feedback on this interview, so feel free to leave a comment below or contact us and let us know what you think! Do you have any questions you'd like us to ask in a future interview?</span></p>
<p> </p>Unknowable Sound Recordings